Viaggio Sola's Margherita Buy and Stefano Accorsi
Viaggio Sola, known on Netflix as A Five-Star Life, is a window into the evolution of global feminism. This European production exposes the isolated work life of a single middle-aged woman in a world where femininity is still defined by heterosexual mating and child-bearing. It also exposes the lifestyle of the global 1% who stay in 5-tar hotels. I found it interesting that it was sponsored by a luxury hotel chain.
Zooming out from the details of the film gives a clear view of the have-vs-have-nots world we in corporately controlled nations occupy. The relatively bourgeois main character is sandwiched uncomfortably between the haves and the have-lesses. She is sandwiched between those living conventional lives and those living above the fray. Her compatriots, those who actually work in the luxury hotels, are also her enemies and servants, since she is a spy, posing as a guest.
I recommend it. I have noticed it has garnered mediocre critical reviews. I have to wonder if this relates to its challenge to conformist materialistic ideals in conformist materialistic times. I also speculate that American viewers cannot relate to its European worldliness.